2011: The Year in Books

This year, I managed to hit my general reading goal of 60+ books. Once again, the book salon warred with the book challenge, and the salon won. I really didn’t do very well on The Great Unread challenge, although I made a valiant attempt in the final hours when a transcontinental Christmas flight with a two-hour fog delay tacked on the end allowed me to read big chunks of Giant and The Grapes of Wrath. Still many of the books were fairly short and I don’t feel the sense of accomplishment I did last year. I also haven’t been as good about immediately writing up reviews on Goodreads and that’s something I definitely want to be better about in 2012.

Top Ten of 2011

The Book of Illusions (Paul Auster)
Brat Farrar (Josephine Tey)

The Daughter of Time (Josephine Tey)

The Invisible Bridge (Julie Orringer)

Possession (A.S. Byatt)

Richard III (William Shakespeare)

Suite Française (Irène Némirovsky)

Tinker, Tailor, Soldier, Spy (John Le Carré)

Unbroken (Laura Hillenbrand)

Water for Elephants (Sara Gruen)

And now the awards!

Best Discovery: Josephine Tey (1896-1952), a Scottish mystery novelist. My love of royals and history would put her Daughter of Time at the top of my personal list, but I’d recommend starting with Brat Farrar. I love her language and the atmosphere she creates as well as how all of her mysteries are distinct from one another. If you like Agatha Christie or are an Anglophile in any way, you will like Tey.

The Book I Feel Everybody Should Read: Unbroken by Laura Hillenbrand. This true story is extraordinary in its depiction of both the barbarism and heroism of war. A gripping tale of one man’s journey from the heights of Olympic glory to the depths of a Japanese prisoner of war camp. Even if you think you don’t want to read more about World War II, you do, you really do. Hillenbrand is an amazing storyteller, deftly melding one man’s story with epic historical events. If you liked how she handled Seabiscuit, try this one out.

Longest: The Invisible Bridge by Julie Orringer (602 pages). I really enjoyed this book, despite taking forever to finish it. In fact, the story was so vivid that I could pick it up months later and continue reading where I left off without feeling like I had to go back and reread (which is extremely unusual for me). Obviously, I could totally relate to the main character's student life in Paris, but, more importantly, I also learned a tremendous amount about life in Hungary before and during the war, something I previously knew nothing about. It is a bit long, but totally worth it.

Biggest Accomplishment: Possession by A.S. Byatt. The start of this novel moves very slowly (mostly because the poetry bogs it down) and therefore it took multiple attempts over the years to get through it. However, when the mystery picks up, it becomes really thrilling and I couldn’t wait to see how it was going to be resolved. And, for once, I really liked the ending. I will definitely be keeping this one on the shelf so that I can go back and reread at some point knowing how the mystery unfolds.

Biggest Surprise: One Day by David Nicholls. When I first heard about this book while visiting friends in London, I misunderstood the premise, thinking it was about a couple who meet up on the same day every year (sort of an extended Before Sunrise, a movie that I hated). Instead, the structure of the book, glimpses into an ongoing relationship over time, really worked well. It gets a bit maudlin at the end, and the characters aren’t necessarily very sympathetic; however, that does add to the realism of it. Of course, for me, that also may have been helped by the fact that these characters graduate university about the same time I did.

The Book I Most Regret Reading: Paris, France by Gertrude Stein. Sorry, “there’s no there there.” I absolutely hated the style and attitude of this book. Completely pointless. Glad I got it off my shelves.

Favorite Young Adult Series: Matched by Ally Condie. The first volume, Matched, was a fun read with pretty good world-building, prompting an immediate re-read. As good as The Hunger Games? Not quite, but it has believably written characters and some promising loose ends to tie up as the series continues. I didn’t love the dual narrative of the second volume, Crossed, but agree that it made sense for the story told in that book. Similar to The Giver, but a more complete, realistic set-up with more relatable characters. This is tailor-made for Hollywood, so watch for it to be “coming soon” to a theater near you.

Most Useful Non-Fiction: The Creative Habit: Learn It and Use It for Life by Twyla Tharp. This book is fabulous. It is much more than a study about creativity because it focuses on the perspiration part of the process rather than the inspiration part. As Tharp says, “before you can think out of the box, you have to start with a box.” While it focuses on the arts (especially dance, musical composition, and writing), much of her discussion of discipline, organization, and habits could apply to the business world as well. There are lots of inspiring anecdotes and self-improvement exercises scattered throughout. Runner-up: Keep the Change: A Clueless Tipper’s Quest to Become the Guru of the Gratuity by Steve Dublanica.

Most Common Theme: World War II. I don’t know whether it was in the air or just on my radar, but a good chunk of my reading involved the war. In rough order of preference: the aforementioned Unbroken and The Invisible Bridge, Suite Française by Irène Némirovsky, Sarah’s Key by Tatiana de Rosnay, The Guernsey Literary and Potato Peel Pie Society by Annie Barrows and Mary Ann Shaffer, Skeletons at the Feast by Chris Bohjalian, Winter Garden by Kristin Hannah, Pictures at an Exhibition by Sara Houghteling, The Reader by Bernhard Schlink.

Most Disappointing: Fahrenheit 451 by Ray Bradbury. I was looking forward to reading this classic for our “Disturbing Dystopias” book salon, but was barely able to finish it—and it’s short! Given the concept, I should have liked this, but I absolutely hated the writing style and just couldn't get past the fact that half the time I wasn't sure what was going on or what Bradbury’s real message is. It didn’t help that he seems to be a bit of an ass in the epilogue. Runner-up: Revolution by Jennifer Donnelly.

Hardest to Finish: Any Human Heart (William Boyd). So hard that I still haven’t. (Actually I like what I read but it’s just one of those things. I’ll get back to it eventually—right after Wolf Hall.)

Favorite Audiobook: Treasure Island by Robert Louis Stevenson, read by B.J. Harrison of The Classic Tales podcast. Harrison reads a lot of adventure stories in his free short story podcast, so I bought a few full-length books for our “Classic Boys Adventures” book salon to support his work. He does a really good job with this one. 

Special Mention: Two friends came out with young adult books this year and they deserve special mention for 1) being generally awesome, 2) writing beautifully, and 3) getting me out of my comfort zone. I probably wouldn’t have picked up a book about the supernatural on my own, or one in verse, but I highly recommend both Cold Kiss by Amy Garvey and Audition by Stasia Ward Kehoe for being incredibly relatable stories about the sacrifices and choices we have to make and live with in our teen years (and beyond).

What was your favorite book of the year? And, if you haven’t already voted, what should I read next year?

The Great Unread—Summer Reading

“Now is the winter of our discontent

Made glorious summer by this sun of York”

— The Tragedy of King Richard the Third

Although I fell off a bit in this year’s challenge, I used much of my reading time in July to get back on track. I completed my June challenge book, Le Tour du monde en quatre-vingts jours, as well as my July selection, The Tragedy of King Richard the Third, which I’d been meaning to read since the Royals and Rulers salon in April. Richard III was also the basis for one of the plays I saw this month at the Oregon Shakespeare Festival in Ashland, so I had extra incentive to finish it before the month was out. It is one of the longest Shakespeare plays, but it’s so good that it wasn’t difficult to get through. I also had the help of Arkangel’s audio version* for the car—It was great to combine reading with the audio, so I may be making my way through more of my Oxford Complete Shakespeare set before the year is through.

While more Shakespeare is well and good, my real accomplishment of the summer so far is finally finishing Possession, which I began back in February. Although the start was very slow, mostly because the poetry bogs it down, as the mystery picks up it became really thrilling and I couldn’t wait to see how it was going to be resolved. And, for once, I really liked the ending.

For those that have fallen away from The Great Unread (you know who you are), I have a mini summer reading challenge for you: Finish one book you feel you should read before Labor Day. That gives you a little over a month. If you are game, post your selection in the comments below.

*Arkangel has recorded fully-dramatized versions of the complete Shakespeare, unabridged, which I highly recommend (check your local library) if you don’t often get a chance to see the Bard performed.

Royals and Rulers

“Money and titles may be hereditary,” she would say, “but brains are not…”

—The Scarlet Pimpernel

This month’s book salon topic was novels dealing with royalty. Attendance was sparse. Royal wedding fatigue? If so, C. would probably recommend Mark Helprin’s Freddy and Fredericka, a parody of the British royal family.

Otherwise, the Wars of the Roses seemed to guide much of the reading, with The Daughter of Time by Josephine Tey, A Man for All Seasons by Robert Bolt, and Wolf Hall by Hilary Mantel as selections. Much was made of the two Thomases (More and Cromwell), their portrayal through time, and how history is written by the winners.

“Beneath every history, another history.”—Wolf Hall

On the lighter side, yet still somehow involving people being beheaded, I also listened to the Classic Tales Podcast audio of The Scarlet Pimpernel by Baroness Emmuska Orczy. Part spy novel, part romance, it’s a fun, quick read for all ages.

The complete list of suggested books can be found here.

Martini Count: 0 (Instead I tried the horribly named but absolutely delicious Strawberry D’Amour—Grey Goose vodka, strawberry purée, simple syrup, lime juice, with muddled fresh basil and a black pepper rim.)

Jane Eyre

Growing up, Jane Eyre was one of my favorite books. Even though I read it a couple of times back then, I haven’t picked it up again since I was a teenager. However, I do always try to catch the latest film version. The most recent is by Cary Fukunaga, with Mia Wasikowska (The Kids Are All Right, Alice in Wonderland) as Jane and Michael Fassbender (Hunger, Inglourious Basterds) as Rochester. The film goes into wide release later this month and I think it is one of the best I've seen at capturing both the gothic and romantic elements of the story, with a great atmosphere and just the right amount of gloom and drama.

In preparation for seeing this advanced screening, I downloaded a LibriVox recording by Elizabeth Klett to reacquaint myself with the story. If you don’t know LibriVox, they offer free audio recordings of books in the public domain. Since the books are all read by volunteers, the quality of the readers varies widely; however, the site often has multiple versions, so you can sample and pick which one you like. For example, the first reader I downloaded had mispronounced Hebrides and Caligula in just the first chapter, so I quickly abandoned her and switched to Klett’s reading, which I was quite happy with.

With the novel fresh in my mind, I must say that the choices of where to compress and/or change the novel for the screen were right on the money. I also loved how this version framed the story: The film starts with Jane fleeing Thornfield over the moors and ending up at the Rivers’ house (which actually takes place about two-thirds of the way through the novel). Her arrival and collapse on the doorstep sets in motion the series of flashbacks to her childhood and life at Thornfield. Eventually, the opening shots are matched later in the story as Jane’s tale plays out.

I had a few quibbles with some choices near the end, and Rochester was far too good-looking, but, all in all, they did a really good job with it. The two leads were very believable and Dame Judi Dench was characteristically fabulous as Mrs. Fairfax.

If you are at all a fan of the book, don’t miss this one.

And now for something completely different…

If you are looking for new listening material for your commute, or simply your edification, below are some of my favorite podcasts (all available for free on iTunes):

Books on the Nightstand by Michael Kindness and Ann Kingman

This is a great podcast about (mostly) contemporary books. Begun in 2008 by two sales reps for Random House, the format usually consists of a short discussion about a current events topic or theme involving books and/or publishing and then a reading recommendation from each of the hosts.

One thing I love about this podcast is that they simply give recommendations of books that have caught their attention (not necessarily by Random House). They don’t do reviews or give anything away, but rather tell you just enough for you to decide whether you might like it. This podcast is how I discovered The Book Thief, The Lost City of Z, and Mary Reilly.

The Classic Tales by B. J. Harrison

I am a longtime fan of this podcast where the host reads classic short stories and novellas, most often adventure tales and classic horror (and, unfortunately, the Jeeves stories of P. G. Wodehouse). The episodes vary greatly in length, but most run 45 to 60 minutes. Occasionally, he will produce multiple episodes of longer works, most recently The Turn of the Screw. His accent can be a bit off-putting, but it grows on you. Unfortunately, only his most recent episodes are available for free, but, if you like his style or story selections, all of them are available for purchase on his website.

Philosophy Bites by David Edmonds and Nigel Warburton

This podcast out of the U.K. presents short interviews (15 to 20 minutes) with guest philosophers focusing on a wide variety of very specific philosophical writings, questions, or issues: Plato’s Cave, Hobbes on the State, atheism, medical consent, and so on. Over 100 episodes are available on iTunes and each topic is independent from the next, so feel free to listen to whichever title looks appealing. Philosophy has always been difficult for me to get a handle on and the specificity of the topics really helps me with that.

Out of the Past: Investigating Film Noir by Shannon Clute and Richard Edwards

This series is a must for any fan of film noir. Both professors, not only do Clute and Edwards really know what they are talking about, but they are clearly very passionate about their work. There are a total of 50 episodes, almost all focusing on a single film and generally running 30 to 35 minutes. There are a couple of instances where they pair a classic film with something more contemporary (for example, The Big Sleep and The Big Lebowski) and these run over an hour. Like a lecture course, they sometimes reference earlier episodes and discussions, so I highly recommend listening in some sort of vague chronological order. If you don’t really know the film well, I also recommend Netflixing before listening.

Watching the Directors by Joe and Melissa Johnson

This podcast ran from 2006 to 2008 and has almost 50 episodes. I don’t love the husband and wife team that hosts this series, but I love the concept and structure of looking at the entire career of one director in each episode. I also appreciate the incredible amount of viewing it must have required to put each episode together. The choice of directors runs the gamut from classic (Frank Capra, Ingmar Bergman, Michael Powell) to contemporary (Peter Jackson, Mira Nair, Steven Soderburgh) to iconic (Alfred Hitchcock, Woody Allen, John Hughes). Perhaps because of the time involved, the Johnsons, along with a third host, now host a new series that examines a single film from the angle of its theological, philosophical, and thematic content: Watching Theology is ongoing and has over 30 episodes to date including those on Pulp Fiction, Children of Men, and Fight Club.

12 Byzantine Rulers: The History of the Byzantine Empire by Lars Brownworth
In just 17 episodes (most 25 to 30 minutes long), Brownworth manages to condense over 1000 years of history into a fascinating narrative by focusing on some of the key leaders of the Byzantine Empire. While the original series is long over, his current effort is Norman Centuries, which tells the history of the Normans in England, France, and Italy. To date, there are 10 episodes.

The Dave Ramsey Show by Dave Ramsey

If you are looking to get out of debt, this podcast is a great motivator, particularly on Fridays, when people call in to shout “I’m debt free!” and tell their own personal get-out-of-debt stories. But, fair warning, he thinks you should be sacrificing more to make it happen and his plan is not easy. He also has strong Christian beliefs that he is not afraid to talk about; however, he is pretty good about keeping the show money and debt focused. As someone who used to work in investment consulting, I didn’t really need most of his financial advice (which is extremely sound), but his show played an important role in helping me stick to the strict budget that allowed me to pay off my graduate school loans much earlier than I would have otherwise.

Quick and Dirty Tips

Finally, for help in other areas of your life, I also recommend the “Quick and Dirty Tips” podcasts. This is a group of self-help podcasts each led by a different specialist and focusing on a particular area: legal issues, fitness and health, money matters, etiquette, grammar, etc. The episodes are very short, usually 5 to 10 minutes—which is extremely annoying given how podcasts work on iPods (but I digress). My favorite series are Get-It-Done Guy, who covers managing and organizing your work life, and The Nutrition Diva, who examines such vital questions as “Is high-fructose corn syrup really as bad as they say?” and “Should you spend more for natural gourmet salt?”

Do you listen to podcasts? If so, what are your favorites and why? I have a 30-minute walking commute so I'm always looking for new listening material.

Opera 101—Rock Me Amadeus

From the opening bars of Le Nozze di Figaro (familiar to anyone who has seen Trading Places, another great story of putting one over on an undeserving aristocracy), I was thrilled with my decision to explore the world of opera this year.

In New York, one of my great luxuries was an annual subscription to the New York Philharmonic. So, once my budget here allowed (food and rent are not the only things around here that cost money…), I looked into both the symphony and the ballet. Not thrilled with the programming of either, and seeing that the opera season would include a number of “warhorses,” perfect for a beginner like me, I decided to take the plunge.

Over the years, despite my love of concert music, I have seen only a few classic operas live: La Bohème (it’s an opera), La Traviata, a horrific Carmen in Paris, and a number of productions of Mozart’s Die Zauberflöte. But these have been few and far between.

So, naturally, I decided that some research was in order. I turned, as I often do, to The Teaching Company, which provides educational courses on CD and DVD. These recordings cover a range of topics, from science to history to literature, and can usually be found at your local library. I can’t recommend them enough. If you have any interest in concert music, I highly recommend Robert Greenberg’s lectures, especially How to Listen to and Understand Great Music (48 CDs) and How to Listen to and Understand Opera (32 CDs).

The Marriage of Figaro is featured prominently in Greenberg’s discussion of opera buffa, or Italian comic opera. It’s a fun opera, easy to follow, and very tuneful. Last night’s production seemed to be a very traditional interpretation, but I highly enjoyed it. I was reasonably impressed with the orchestra and singers, whose acting was particularly strong. The set was appropriately Spanish looking. My only complaint was with the supertitles, which were remarkably inconsistent, and, at times, incomplete. My Italian filled in the gaps, but I feel like they could have been handled much better than they were.

But, all in all, this was a great start to the season.

Looking good, Mozart!

[Note: If you missed the multitude of Trading Places references in this post, get thee to Netflix—it's a classic.]